Process
My paintings grow organically over time. Through fluid and layered marks, I try to capture a moment as it unfolds. Not to resolve it, but to remain present in it. I'm fascinated by compositions that appear to be alive, constantly evolving - reshaping, morphing, growing, and contracting like a living thing.
I investigate themes of physical and emotional terrain to express personal narratives.

I often mount my work in unconventional ways, such as spilling or growing from walls, blurring the line between traditional and experimental forms. I blend fluid, expressive painting with delicate lines and intentional structures, aiming to create pieces that feel both spontaneous and deliberate. Colour plays a central role in my process, deeply inspired by nature and the ever-changing effects of light and shadow.
Drawing is an essential part of my practice. It’s where ideas begin to take shape. Where I think, express emotion, and explore the structure and movement of a composition. Some drawings stand on their own, while others become the foundation for paintings, with their marks and gestures carried through to the end.

When creating large, expressive drawings, I’m driven by energy and gesture, and I enjoy becoming physically engaged in the composition. In smaller, more intimate drawings, I work slowly and deliberately, paying close attention to the quality of each line.


The sculptural works develop through the process of drawing and painting, extending out of the two dimensional compositions into three dimensions. It’s an experimental process where the forms and gestures gradually take shape.
This ongoing process of taking in, responding, and reconstructing is like a conversation that evolves over time. A conversation between materials, ideas, intuition, and myself.
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